Solo Tone
María Sabina
El Tri
Guitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 70s/early 80s, as used by Alex Lora in this era)
AmpMarshall JCM800 2203 (most common for El Tri's lead tones in the 1980s studio recordings)
PickupsHumbucker (likely Gibson PAF-style, stock on Les Paul Standard)
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, original album version (circa 1984). No direct evidence from sources, but all available interviews and live photos from the era show Alex Lora using a Les Paul Standard into a Marshall JCM800 for solos. No evidence of pedalboard use for this solo in studio; effects inferred from audio.
Tone Character(10)
singing sustainmid-forward solo voicewarm and rounded highstouch-sensitive dynamicsclassic British cruncharticulate single-note clarityslight amp reverb taildynamic pick attackno excessive gain/fuzzsmooth, vocal-like phrasing
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and melodic phrasing, but does not involve extreme speed or advanced shredding.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson Les Paul Standard (likely late 70s/early 80s, as used by Alex Lora in this era)
AmpMarshall JCM800 2203 (most common for El Tri's lead tones in the 1980s studio recordings)
PickupsHumbucker (likely Gibson PAF-style, stock on Les Paul Standard)
Amp Settings
gain6.5
bass6
mid7
treble6.5
reverb3
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, original album version (circa 1984). No direct evidence from sources, but all available interviews and live photos from the era show Alex Lora using a Les Paul Standard into a Marshall JCM800 for solos. No evidence of pedalboard use for this solo in studio; effects inferred from audio.
Tone Character(10)
singing sustainmid-forward solo voicewarm and rounded highstouch-sensitive dynamicsclassic British cruncharticulate single-note clarityslight amp reverb taildynamic pick attackno excessive gain/fuzzsmooth, vocal-like phrasing
Difficulty
The solo requires intermediate technique with expressive bends, vibrato, and melodic phrasing, but does not involve extreme speed or advanced shredding.
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