Riff Tone
mars
YUNGBLUD
Guitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard
AmpMarshall Super Lead (likely 1959SLP or reissue)
PickupsHumbucker (Gibson stock, likely Burstbucker or 490R/498T)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb3.5
presence6
Effects & Signal Chain
fuzzJHS JHS Muffuletta
overdriveJHS JHS Crayon
fuzzFulltone Fulltone '70 BC-108C Fuzz
reverbBoss Boss RV-500 Reverb
Notes
Studio recording for 'mars' (2020). Adam Warrington is credited for the main riff guitar parts. Gear confirmed via Premier Guitar rig rundown and live interviews. No evidence of alternate guitars or amps for the riff section in the studio.
Tone Character(9)
big and chunkywarm and thickpunchy midrangetight and focusedslight breakup on chordsdynamic and responsiveclear note separationmodern British cruncharticulate attack
Difficulty
The riff requires solid timing, palm muting, and dynamic control, but does not involve advanced techniques or fast lead playing.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson Les Paul Standard
AmpMarshall Super Lead (likely 1959SLP or reissue)
PickupsHumbucker (Gibson stock, likely Burstbucker or 490R/498T)
Amp Settings
gain6
bass6
mid7
treble6.5
reverb3.5
presence6
Effects & Signal Chain
fuzzJHS JHS Muffuletta
overdriveJHS JHS Crayon
fuzzFulltone Fulltone '70 BC-108C Fuzz
reverbBoss Boss RV-500 Reverb
Notes
Studio recording for 'mars' (2020). Adam Warrington is credited for the main riff guitar parts. Gear confirmed via Premier Guitar rig rundown and live interviews. No evidence of alternate guitars or amps for the riff section in the studio.
Tone Character(9)
big and chunkywarm and thickpunchy midrangetight and focusedslight breakup on chordsdynamic and responsiveclear note separationmodern British cruncharticulate attack
Difficulty
The riff requires solid timing, palm muting, and dynamic control, but does not involve advanced techniques or fast lead playing.
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