Solo Tone
Meeting of the Spirits (with John McLaughlin)
Mahavishnu Orchestra
Guitarjazz1970s
Original Gear
GuitarGibson EDS-1275 Double Neck (used as 6-string electric for solo)
AmpMarshall 100-watt Super Lead head (plexi, late 60s/early 70s) into Marshall 4x12 cabinet
PickupsGibson humbuckers (stock, late 60s/early 70s spec)
Amp Settings
gain7
bass6.5
mid7.5
treble7.5
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1971 (The Inner Mounting Flame). No pedals or rack effects; distortion from amp at extreme volume. Solo section uses the 6-string neck. No evidence of effects loop or outboard effects. All tone from guitar and amp.
Tone Character(10)
explosive dynamic rangeaggressive, saturated amp distortionrich harmonic overtonesmidrange-forward 'honk'singing sustainraw, uncompressed attacktight, articulate picking responseslightly compressed by amp saturationpercussive and bitingcomplex, swirling overtones
Difficulty
The solo requires expert-level picking speed, accuracy, and control, with demanding phrasing and technical complexity at high volume and gain.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarjazz1970s
Original Gear
GuitarGibson EDS-1275 Double Neck (used as 6-string electric for solo)
AmpMarshall 100-watt Super Lead head (plexi, late 60s/early 70s) into Marshall 4x12 cabinet
PickupsGibson humbuckers (stock, late 60s/early 70s spec)
Amp Settings
gain7
bass6.5
mid7.5
treble7.5
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1971 (The Inner Mounting Flame). No pedals or rack effects; distortion from amp at extreme volume. Solo section uses the 6-string neck. No evidence of effects loop or outboard effects. All tone from guitar and amp.
Tone Character(10)
explosive dynamic rangeaggressive, saturated amp distortionrich harmonic overtonesmidrange-forward 'honk'singing sustainraw, uncompressed attacktight, articulate picking responseslightly compressed by amp saturationpercussive and bitingcomplex, swirling overtones
Difficulty
The solo requires expert-level picking speed, accuracy, and control, with demanding phrasing and technical complexity at high volume and gain.