Riff Tone

Might Get Loud (feat. Chris Brown, Brandon Lake & Tiffany Hudson)

Elevation Worship

Guitarrock2010s+

Original Gear

GuitarFender Telecaster (exact year/model unknown, but Telecasters are standard for Elevation Worship guitarists in this era)

AmpVox AC30 (typical for modern worship, no direct source for this song but standard for Elevation Worship studio recordings in 2021)

PickupsSingle-coil (Fender Telecaster stock pickups, likely Alnico V or similar)

Amp Settings

gain4.5

bass5.5

mid6.5

treble7

reverb4.5

presence6

Effects & Signal Chain

overdriveUnknown Overdrive pedal (model unknown)

delayUnknown Delay pedal (model unknown, likely digital or analog with dotted 8th setting)

reverbUnknown Reverb pedal (model unknown, likely digital shimmer or plate)

Notes

Studio recording, released 2021. No direct rig rundown for this song/section, but inferred from genre, era, and standard Elevation Worship practices. No evidence of alternate guitars/amps for the riff section.

Tone Character(10)

bright and articulateslightly gritty edge-of-breakupfull-bodiedpercussive attackclear note separationambient spaciousnessdynamic and energeticcrisp highstight low endmodern worship shimmer

Difficulty

The riff is fast and requires tight timing with delay repeats, but uses straightforward single-note and chordal patterns typical of modern worship rock.

Sources

Elevation Worship Encourages Listeners to Throw Off Inhibition and Push the Boundaries of Sound in “Might Get Loud” | Air1 Worship Music The Gear, Tones, and Techniques of Modern Worship Guitar | Reverb News

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