Solo Tone
Moonage Daydream (Live on 3rd July 1973)
David Bowie
Guitarrock1970s
Original Gear
Guitar1968 Gibson Les Paul Custom (stripped finish, blonde, with open-coil humbuckers)
AmpMarshall amplifier head (likely Marshall Super Lead 1959, as per era and sources)
PickupsGibson humbuckers (open-coil, likely original T-Top or PAF style)
Amp Settings
gain7
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
fuzzSola Sound Sola Sound Tone Bender MKI
wahVox Vox Wah (half-cocked position)
Notes
Live performance at Hammersmith Odeon, July 3, 1973. Mick Ronson's main Ziggy-era rig. Notable for use of cocked wah and Tone Bender fuzz. Settings estimated based on era, genre, and typical Marshall usage for this sound.
Tone Character(10)
thick, saturated fuzzcocked wah midrange honksinging sustainnasal, aggressive lead toneclassic British crunchpowerful, soaring solo soundrich harmonic overtonescutting, focused midrangedynamic, expressive phrasingslightly compressed attack
Difficulty
The solo requires intermediate to advanced control of expressive techniques (wah, fuzz, vibrato), dynamic phrasing, and live feedback handling, but does not involve extreme technical speed or complex note patterns.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
Guitar1968 Gibson Les Paul Custom (stripped finish, blonde, with open-coil humbuckers)
AmpMarshall amplifier head (likely Marshall Super Lead 1959, as per era and sources)
PickupsGibson humbuckers (open-coil, likely original T-Top or PAF style)
Amp Settings
gain7
bass6
mid7
treble7
reverb2
presence6.5
Effects & Signal Chain
fuzzSola Sound Sola Sound Tone Bender MKI
wahVox Vox Wah (half-cocked position)
Notes
Live performance at Hammersmith Odeon, July 3, 1973. Mick Ronson's main Ziggy-era rig. Notable for use of cocked wah and Tone Bender fuzz. Settings estimated based on era, genre, and typical Marshall usage for this sound.
Tone Character(10)
thick, saturated fuzzcocked wah midrange honksinging sustainnasal, aggressive lead toneclassic British crunchpowerful, soaring solo soundrich harmonic overtonescutting, focused midrangedynamic, expressive phrasingslightly compressed attack
Difficulty
The solo requires intermediate to advanced control of expressive techniques (wah, fuzz, vibrato), dynamic phrasing, and live feedback handling, but does not involve extreme technical speed or complex note patterns.
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