Riff Tone
Moonchild (Including "The Dream" and "The Illusion")
King Crimson
Guitarrock1960s
Original Gear
GuitarGibson Les Paul Custom (late 1950s, likely 1957-1959, black finish)
AmpMarshall Super Lead 100 (Plexi, late 1960s, likely 1968-1969, non-master volume head) into Marshall 4x12 cabinet
PickupsGibson PAF humbuckers
Amp Settings
gain0
bass6
mid7
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1969. Gear confirmed by multiple interviews and period photos. No evidence of live or later-era gear for this recording. No effects loop or rack effects used in 1969 studio context.
Tone Character(10)
soft and bell-likewarm and roundedclear note separationmellow, almost jazz-like timbreno audible distortionvery low amp gainno palm mutinggentle, expressive dynamicsno reverb or delay effectintimate, close-mic'd sound
Difficulty
The riff requires careful fingerpicking and dynamic control for a clean, bell-like tone, but does not involve complex techniques or fast passages.
Sources
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Create Free AccountGuitarrock1960s
Original Gear
GuitarGibson Les Paul Custom (late 1950s, likely 1957-1959, black finish)
AmpMarshall Super Lead 100 (Plexi, late 1960s, likely 1968-1969, non-master volume head) into Marshall 4x12 cabinet
PickupsGibson PAF humbuckers
Amp Settings
gain0
bass6
mid7
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1969. Gear confirmed by multiple interviews and period photos. No evidence of live or later-era gear for this recording. No effects loop or rack effects used in 1969 studio context.
Tone Character(10)
soft and bell-likewarm and roundedclear note separationmellow, almost jazz-like timbreno audible distortionvery low amp gainno palm mutinggentle, expressive dynamicsno reverb or delay effectintimate, close-mic'd sound
Difficulty
The riff requires careful fingerpicking and dynamic control for a clean, bell-like tone, but does not involve complex techniques or fast passages.
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