Solo Tone
Mr. Crowley (Live from Blizzard of Ozz Tour)
Ozzy Osbourne
Guitarmetal1980s
Original Gear
Guitar1979 Karl Sandoval Flying V
AmpMarshall 1959 Super Lead Plexi 100W Head (Cascade mod), Marshall 4x12 cabinets with Altec 417-8H speakers
PickupsDiMarzio Super Distortion (bridge), DiMarzio PAF (neck)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb4
presence6.5
Effects & Signal Chain
distortionMXR MXR Distortion +
eqMXR MXR 10-Band EQ
delayKorg Korg SE-500 Stage Echo Tape Delay
Notes
Live rig from Blizzard of Ozz Tour, 1981. Settings and pedals reflect live solo section, not studio. No evidence of Jackson Concorde or Les Paul for this tour/section.
Tone Character(10)
singing sustaintight, articulate attackrich upper midscrisp note separationcutting lead presencefluid, expressive bendsclassic Marshall crunchaudible delay ambienceharmonic clarityfast legato runs
Difficulty
The solo requires advanced technical skill, including fast legato, alternate picking, and expressive phrasing, all while maintaining clarity and control at high speed with delay. The phrasing and note choices demand both technical and musical mastery.
Sources
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Create Free AccountGuitarmetal1980s
Original Gear
Guitar1979 Karl Sandoval Flying V
AmpMarshall 1959 Super Lead Plexi 100W Head (Cascade mod), Marshall 4x12 cabinets with Altec 417-8H speakers
PickupsDiMarzio Super Distortion (bridge), DiMarzio PAF (neck)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb4
presence6.5
Effects & Signal Chain
distortionMXR MXR Distortion +
eqMXR MXR 10-Band EQ
delayKorg Korg SE-500 Stage Echo Tape Delay
Notes
Live rig from Blizzard of Ozz Tour, 1981. Settings and pedals reflect live solo section, not studio. No evidence of Jackson Concorde or Les Paul for this tour/section.
Tone Character(10)
singing sustaintight, articulate attackrich upper midscrisp note separationcutting lead presencefluid, expressive bendsclassic Marshall crunchaudible delay ambienceharmonic clarityfast legato runs
Difficulty
The solo requires advanced technical skill, including fast legato, alternate picking, and expressive phrasing, all while maintaining clarity and control at high speed with delay. The phrasing and note choices demand both technical and musical mastery.
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