Riff Tone
Naina Saavan
KhoslaRaghu
Guitarrock2010s+
Original Gear
GuitarUnknown electric guitar (exact model not found)
AmpUnknown amp (likely amp modeler or plugin, possibly Positive Grid BIAS FX 2 or similar, based on interface references)
PickupsUnknown (likely humbucker or high-output single coil, model not found)
Amp Settings
gain5.5
bass6
mid6
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct evidence of exact guitar or amp model used on the studio recording. Some references to Positive Grid RIFF USB interface and BIAS FX 2 software, suggesting possible use of amp modeling plugins. No live rig information. Recording year/era: 2010s+ (post-2015).
Tone Character(10)
tight and saturatedmodern and compressedarticulate high endcontrolled low endmedium sustainpercussive palm mutingclear note separationslight ambiencedynamic attackfocused midrange
Difficulty
The riff requires intermediate technique due to its tight, palm-muted rhythm, need for clarity under distortion, and dynamic picking, but does not involve advanced lead or complex chord voicings.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarUnknown electric guitar (exact model not found)
AmpUnknown amp (likely amp modeler or plugin, possibly Positive Grid BIAS FX 2 or similar, based on interface references)
PickupsUnknown (likely humbucker or high-output single coil, model not found)
Amp Settings
gain5.5
bass6
mid6
treble6.5
reverb3.5
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
No direct evidence of exact guitar or amp model used on the studio recording. Some references to Positive Grid RIFF USB interface and BIAS FX 2 software, suggesting possible use of amp modeling plugins. No live rig information. Recording year/era: 2010s+ (post-2015).
Tone Character(10)
tight and saturatedmodern and compressedarticulate high endcontrolled low endmedium sustainpercussive palm mutingclear note separationslight ambiencedynamic attackfocused midrange
Difficulty
The riff requires intermediate technique due to its tight, palm-muted rhythm, need for clarity under distortion, and dynamic picking, but does not involve advanced lead or complex chord voicings.