Solo Tone
Need Your Love So Bad
Gary Moore
Guitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard 'Greeny'
AmpMarshall JTM45 reissue head (1989 prototype), Marshall 1960B 4x12 cab with Electro-Voice EVM12L speakers
PickupsOriginal PAF humbuckers, out-of-phase wiring (notably in neck position)
Amp Settings
gain2.5
bass5
mid8
treble6
reverb4.5
presence5.5
Effects & Signal Chain
chorusRoland Chorus pedal (likely Roland Dimension D or similar rack chorus)
Notes
Studio recording, 1995 (Blues for Greeny album). Guitar is the original 'Greeny' Les Paul, famous for its out-of-phase neck pickup sound. Amp is a JTM45 reissue prototype, set clean for the solo section. Effects are subtle and studio-based, not live rig.
Tone Character(10)
warm and smoothrich, full-bodied cleanlush stereo chorustouch-sensitive dynamicssinging, vocal-like phrasingclear, bell-like highsrounded, mellow lowsexpressive sustain (from technique, not gain)subtle ambient reverbslightly scooped but present mids
Difficulty
The solo requires advanced control of dynamics, phrasing, and expressive bends at a slow tempo, making it challenging despite the lack of speed or technical flash.
Sources
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Original Gear
Guitar1959 Gibson Les Paul Standard 'Greeny'
AmpMarshall JTM45 reissue head (1989 prototype), Marshall 1960B 4x12 cab with Electro-Voice EVM12L speakers
PickupsOriginal PAF humbuckers, out-of-phase wiring (notably in neck position)
Amp Settings
gain2.5
bass5
mid8
treble6
reverb4.5
presence5.5
Effects & Signal Chain
chorusRoland Chorus pedal (likely Roland Dimension D or similar rack chorus)
Notes
Studio recording, 1995 (Blues for Greeny album). Guitar is the original 'Greeny' Les Paul, famous for its out-of-phase neck pickup sound. Amp is a JTM45 reissue prototype, set clean for the solo section. Effects are subtle and studio-based, not live rig.
Tone Character(10)
warm and smoothrich, full-bodied cleanlush stereo chorustouch-sensitive dynamicssinging, vocal-like phrasingclear, bell-like highsrounded, mellow lowsexpressive sustain (from technique, not gain)subtle ambient reverbslightly scooped but present mids
Difficulty
The solo requires advanced control of dynamics, phrasing, and expressive bends at a slow tempo, making it challenging despite the lack of speed or technical flash.
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