Solo Tone
No World for Tomorrow
Coheed and Cambria
Guitarrock2000s
Original Gear
GuitarGibson Les Paul (likely 1998 tobacco-burst or 2010 goldtop, as used by Travis Stever on NWFT era)
AmpMesa/Boogie Triple Rectifier (studio, Orange channel, Vintage High Gain mode)
PickupsHumbuckers (likely Seymour Duncan JB or DiMarzio X2N, high-output passive)
Amp Settings
gain7.5
bass6
mid5
treble7
reverb2.5
presence6
Effects & Signal Chain
overdriveUnknown TS-style Overdrive (model unknown, likely Ibanez TS9 or Maxon OD808)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2007 (No World for Tomorrow album). Mesa/Boogie Triple Rectifier is confirmed for studio use; Travis Stever used Les Pauls with high-output humbuckers. Slight mid boost and delay added for solo. Some sources mention Bogner blended, but Mesa/Boogie is primary for leads. Effects chain kept simple in studio.
Tone Character(10)
thick saturation and sustaintight low end without flubscooped but not hollowcut and clarity on topadds bite and articulationslight mid boost for solossinging lead tonesdelay with short repeats and moderate mixmild reverb for depthhigh-output, thick sound
Difficulty
The solo requires advanced technique due to its speed, phrasing, and articulation, as well as managing clarity and sustain with high-gain and delay effects.
Sources
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Original Gear
GuitarGibson Les Paul (likely 1998 tobacco-burst or 2010 goldtop, as used by Travis Stever on NWFT era)
AmpMesa/Boogie Triple Rectifier (studio, Orange channel, Vintage High Gain mode)
PickupsHumbuckers (likely Seymour Duncan JB or DiMarzio X2N, high-output passive)
Amp Settings
gain7.5
bass6
mid5
treble7
reverb2.5
presence6
Effects & Signal Chain
overdriveUnknown TS-style Overdrive (model unknown, likely Ibanez TS9 or Maxon OD808)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 2007 (No World for Tomorrow album). Mesa/Boogie Triple Rectifier is confirmed for studio use; Travis Stever used Les Pauls with high-output humbuckers. Slight mid boost and delay added for solo. Some sources mention Bogner blended, but Mesa/Boogie is primary for leads. Effects chain kept simple in studio.
Tone Character(10)
thick saturation and sustaintight low end without flubscooped but not hollowcut and clarity on topadds bite and articulationslight mid boost for solossinging lead tonesdelay with short repeats and moderate mixmild reverb for depthhigh-output, thick sound
Difficulty
The solo requires advanced technique due to its speed, phrasing, and articulation, as well as managing clarity and sustain with high-gain and delay effects.
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