Solo Tone
Nur Nilam Sari
Search & Awie
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, 1990s era, as used by Kid Search in studio and live)
AmpMarshall JCM900 (most likely, based on era, genre, and typical rig for Search in late 1990s)
PickupsSingle-coil (Fender stock single-coils, 1990s Stratocaster)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb3.5
presence6
Effects & Signal Chain
overdriveUnknown Overdrive pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1998 album 'Bikin Wilayah'. No direct evidence of alternate guitars or amps for the solo section. No evidence of humbucker-equipped guitars for this solo. No pedalboard or amp photo from the session found.
Tone Character(10)
singing sustainsmooth and fluid legatowarm upper midsslightly compressed attackclear note separationarticulate bends and vibratomoderate reverb tailmild overdrive, not high-gaintouch-sensitive dynamicsclassic rock lead voicing
Difficulty
The solo requires intermediate technique, including smooth legato, accurate bends, and dynamic control to achieve singing sustain and clarity, especially when playing with delay.
Sources
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Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, 1990s era, as used by Kid Search in studio and live)
AmpMarshall JCM900 (most likely, based on era, genre, and typical rig for Search in late 1990s)
PickupsSingle-coil (Fender stock single-coils, 1990s Stratocaster)
Amp Settings
gain6.5
bass6
mid7
treble7
reverb3.5
presence6
Effects & Signal Chain
overdriveUnknown Overdrive pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1998 album 'Bikin Wilayah'. No direct evidence of alternate guitars or amps for the solo section. No evidence of humbucker-equipped guitars for this solo. No pedalboard or amp photo from the session found.
Tone Character(10)
singing sustainsmooth and fluid legatowarm upper midsslightly compressed attackclear note separationarticulate bends and vibratomoderate reverb tailmild overdrive, not high-gaintouch-sensitive dynamicsclassic rock lead voicing
Difficulty
The solo requires intermediate technique, including smooth legato, accurate bends, and dynamic control to achieve singing sustain and clarity, especially when playing with delay.