Riff Tone
O Father O Satan O Sun!
Behemoth
Guitarmetal2010s+
Original Gear
GuitarESP Eclipse (likely custom, as used by Nergal on The Satanist album)
AmpMesa/Boogie Dual Rectifier (studio recording era, as used by Behemoth on The Satanist)
PickupsEMG 81 (bridge), EMG 85 (neck) active humbuckers
Amp Settings
gain9
bass6
mid4.5
treble7
reverb0.5
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate pedal (model unknown)
Notes
Studio recording, 2013-2014 (The Satanist album sessions). No direct evidence of pedals or alternate amps for this specific song/section in available sources. Gear inferred from Behemoth's known studio setup for The Satanist era.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutingcrushing, saturated distortionarticulate note separationdense, layered rhythm guitarsmodern metal clarityminimal ambienceslight room reverbno audible modulation
Difficulty
The riff requires advanced right-hand technique for tight palm muting and alternate picking at a fast tempo, with complex rhythm changes and maintaining clarity under high-gain saturation.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarESP Eclipse (likely custom, as used by Nergal on The Satanist album)
AmpMesa/Boogie Dual Rectifier (studio recording era, as used by Behemoth on The Satanist)
PickupsEMG 81 (bridge), EMG 85 (neck) active humbuckers
Amp Settings
gain9
bass6
mid4.5
treble7
reverb0.5
presence6.5
Effects & Signal Chain
noise_gateUnknown Noise gate pedal (model unknown)
Notes
Studio recording, 2013-2014 (The Satanist album sessions). No direct evidence of pedals or alternate amps for this specific song/section in available sources. Gear inferred from Behemoth's known studio setup for The Satanist era.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutingcrushing, saturated distortionarticulate note separationdense, layered rhythm guitarsmodern metal clarityminimal ambienceslight room reverbno audible modulation
Difficulty
The riff requires advanced right-hand technique for tight palm muting and alternate picking at a fast tempo, with complex rhythm changes and maintaining clarity under high-gain saturation.
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