Solo Tone
Out of the Fire (Lyrics added to Type O Negative, Kane's Theme)
Vodou Moo
Guitarmetal2010s+
Original Gear
GuitarUnknown solid-body electric (likely Gibson or ESP-style, based on Type O Negative influence and genre)
AmpUnknown high-gain amp (likely Marshall or Peavey, based on genre and era)
PickupsHumbucker (exact model unknown)
Amp Settings
gain8
bass6
mid4.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
distortionUnknown Distortion pedal (model unknown)
Notes
No direct source confirms the exact gear for Vodou Moo's 'Out of the Fire' solo. No studio or live rig rundown found. Estimated based on Type O Negative's typical gothic/doom metal setup and the audible tone. Studio recording, 2010s+.
Tone Character(9)
singing sustaintight and percussive attackslightly scooped midsclear note separationambient solo spacemetallic edgesmooth legato runsaudible delay and reverb tailhigh-gain saturation
Difficulty
The solo requires intermediate to advanced control of legato technique, precise timing to match delay repeats, and careful handling of high-gain sustain and feedback.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarUnknown solid-body electric (likely Gibson or ESP-style, based on Type O Negative influence and genre)
AmpUnknown high-gain amp (likely Marshall or Peavey, based on genre and era)
PickupsHumbucker (exact model unknown)
Amp Settings
gain8
bass6
mid4.5
treble7
reverb2.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
distortionUnknown Distortion pedal (model unknown)
Notes
No direct source confirms the exact gear for Vodou Moo's 'Out of the Fire' solo. No studio or live rig rundown found. Estimated based on Type O Negative's typical gothic/doom metal setup and the audible tone. Studio recording, 2010s+.
Tone Character(9)
singing sustaintight and percussive attackslightly scooped midsclear note separationambient solo spacemetallic edgesmooth legato runsaudible delay and reverb tailhigh-gain saturation
Difficulty
The solo requires intermediate to advanced control of legato technique, precise timing to match delay repeats, and careful handling of high-gain sustain and feedback.