Riff Tone
Peace of Mind
Boston
Guitarrock1970s
Original Gear
Guitar1970s Gibson Les Paul Goldtop
AmpMarshall Super Lead (Plexi) with custom Scholz modifications and Power Soak
PickupsGibson P90 single-coil pickups
Amp Settings
gain6.5
bass6.5
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
chorusUnknown Chorus effect (custom rack unit, model unknown)
delayUnknown Analog delay (custom rack unit, model unknown)
Notes
Studio recording, 1975-1976. Tom Scholz recorded the riff section using his Les Paul Goldtop with P90s into a Marshall Super Lead, heavily modified and attenuated with a Power Soak. Effects were added via custom-built rack units, not pedals. No Rockman was used on the debut album.
Tone Character(10)
tight and harmonically richlush stereo double-tracked sounddistinct chorused shimmerclear and articulate attacksinging sustain on chordsslightly compressed and polishedmidrange-forward classic rock presencenot overly saturated, retains note definitionsubtle analog delay for depthmodulation gives signature Boston swirl
Difficulty
The riff requires intermediate-level technique due to its syncopated rhythm, tight palm muting, and the need for precise double-tracking to achieve the classic Boston stereo sound.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
Guitar1970s Gibson Les Paul Goldtop
AmpMarshall Super Lead (Plexi) with custom Scholz modifications and Power Soak
PickupsGibson P90 single-coil pickups
Amp Settings
gain6.5
bass6.5
mid7
treble7
reverb2.5
presence6
Effects & Signal Chain
chorusUnknown Chorus effect (custom rack unit, model unknown)
delayUnknown Analog delay (custom rack unit, model unknown)
Notes
Studio recording, 1975-1976. Tom Scholz recorded the riff section using his Les Paul Goldtop with P90s into a Marshall Super Lead, heavily modified and attenuated with a Power Soak. Effects were added via custom-built rack units, not pedals. No Rockman was used on the debut album.
Tone Character(10)
tight and harmonically richlush stereo double-tracked sounddistinct chorused shimmerclear and articulate attacksinging sustain on chordsslightly compressed and polishedmidrange-forward classic rock presencenot overly saturated, retains note definitionsubtle analog delay for depthmodulation gives signature Boston swirl
Difficulty
The riff requires intermediate-level technique due to its syncopated rhythm, tight palm muting, and the need for precise double-tracking to achieve the classic Boston stereo sound.
Peace of Mind settings for your amp
Exact settings ToneAdapt players use on these amps.
More Boston tones
- Cool the Engines · riff
- More Than a Feeling · riff
- Peace of Mind · solo
- A Man I'll Never Be · riff
- Amanda · riff
- Don't Look Back · solo
- Don't Look Back · riff
- Feelin' Satisfied · riff
- Highway to Hell · riff
- Hitch a Ride · solo