Riff Tone
¿Quién Mató a Marilyn?
Los Prisioneros
Guitarrock1980s
Original Gear
GuitarEpiphone Sheraton II
AmpMarshall JCM900 4100
PickupsEpiphone Alnico Classic Humbuckers
Amp Settings
gain6
bass6
mid7
treble7
reverb1.5
presence6
Effects & Signal Chain
overdriveBoss Boss OD-2 Turbo OverDrive
distortionBoss Boss DS-2 Turbo Distortion
Notes
Studio recording, 1984 (original album release). Claudio Narea is confirmed to use the Epiphone Sheraton II and Marshall JCM900 4100 in the band's classic era. No direct evidence for other guitars or amps on this specific track. Effects pedals inferred from period-correct gear and Equipboard listings.
Tone Character(10)
raw and energeticmidrange-forward crunchpunchy and articulateslightly compressed attackbiting high endtight and rhythmicaggressive but cleargritty overdrivedynamic responsejangly with edge
Difficulty
The riff requires fast, accurate power chord transitions and tight palm muting, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarEpiphone Sheraton II
AmpMarshall JCM900 4100
PickupsEpiphone Alnico Classic Humbuckers
Amp Settings
gain6
bass6
mid7
treble7
reverb1.5
presence6
Effects & Signal Chain
overdriveBoss Boss OD-2 Turbo OverDrive
distortionBoss Boss DS-2 Turbo Distortion
Notes
Studio recording, 1984 (original album release). Claudio Narea is confirmed to use the Epiphone Sheraton II and Marshall JCM900 4100 in the band's classic era. No direct evidence for other guitars or amps on this specific track. Effects pedals inferred from period-correct gear and Equipboard listings.
Tone Character(10)
raw and energeticmidrange-forward crunchpunchy and articulateslightly compressed attackbiting high endtight and rhythmicaggressive but cleargritty overdrivedynamic responsejangly with edge
Difficulty
The riff requires fast, accurate power chord transitions and tight palm muting, but does not involve advanced lead techniques or complex chord voicings.
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