Riff Tone
Remorse Is for the Dead
Lamb of God
Guitarmetal2000s
Original Gear
GuitarJackson Dominion
AmpMesa/Boogie Mark IV (studio, 2004, dual amp setup: one with EL34s, one with 6L6s)
PickupsSeymour Duncan '59 (neck), Seymour Duncan JB (bridge) humbuckers
Amp Settings
gain7.5
bass5
mid4
treble6.5
reverb0
presence6.5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer (or similar overdrive)
noise_gateBoss Boss NS-2 Noise Suppressor (or similar noise gate)
Notes
Studio recording for 'Ashes of the Wake' (2004). Mark Morton used a Jackson Dominion with bridge humbucker for riff sections. Main amp was Mesa/Boogie Mark IV, often run as a pair (EL34 and 6L6). No evidence of live/touring gear or other amp models for this song's recording. Settings and pedals are for studio rhythm/riff tone.
Tone Character(10)
tight and percussivearticulate riffingaggressive palm mutinghigh-gain saturationfocused midstight low-endmodern metal claritypunchy attackminimal ambiencedry, immediate response
Difficulty
The riff section requires advanced right-hand technique for tight, fast palm muting and precise alternate picking, as well as left-hand accuracy for rapid position shifts and complex rhythm patterns.
Sources
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Original Gear
GuitarJackson Dominion
AmpMesa/Boogie Mark IV (studio, 2004, dual amp setup: one with EL34s, one with 6L6s)
PickupsSeymour Duncan '59 (neck), Seymour Duncan JB (bridge) humbuckers
Amp Settings
gain7.5
bass5
mid4
treble6.5
reverb0
presence6.5
Effects & Signal Chain
overdriveIbanez Ibanez TS9 Tube Screamer (or similar overdrive)
noise_gateBoss Boss NS-2 Noise Suppressor (or similar noise gate)
Notes
Studio recording for 'Ashes of the Wake' (2004). Mark Morton used a Jackson Dominion with bridge humbucker for riff sections. Main amp was Mesa/Boogie Mark IV, often run as a pair (EL34 and 6L6). No evidence of live/touring gear or other amp models for this song's recording. Settings and pedals are for studio rhythm/riff tone.
Tone Character(10)
tight and percussivearticulate riffingaggressive palm mutinghigh-gain saturationfocused midstight low-endmodern metal claritypunchy attackminimal ambiencedry, immediate response
Difficulty
The riff section requires advanced right-hand technique for tight, fast palm muting and precise alternate picking, as well as left-hand accuracy for rapid position shifts and complex rhythm patterns.
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- 512 (Live) · riff
- Memento Mori · riff
- Hourglass · riff
- Ashes of the Wake · riff
- Blunt Force Blues · riff
- Descending · riff