Solo Tone
Reptile
The Church
Guitarrock1980s
Original Gear
GuitarRickenbacker 330 (likely, based on era and band interviews, but not directly confirmed for solo section of 'Reptile')
AmpVox AC30 (likely, based on The Church's 1980s studio use and period interviews, but not directly confirmed for solo section)
PickupsRickenbacker Hi-Gain single coils
Amp Settings
gain5.5
bass6
mid7
treble7
reverb4
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1988. No direct source confirms exact gear for the solo, but period interviews and live photos suggest Rickenbacker 330 into Vox AC30. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
jangly yet bitingbright, glassy top endmodulated, swirling solo soundmedium gain with clear note separationchorus shimmerdistinct delay repeatsarticulate attackslight compressionstudio ambience with moderate reverbdynamic pick attack
Difficulty
The solo requires intermediate technique due to its melodic phrasing, use of effects, and need for precise timing with delay and chorus modulation. Articulation and dynamic control are important for capturing the recorded tone.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarRickenbacker 330 (likely, based on era and band interviews, but not directly confirmed for solo section of 'Reptile')
AmpVox AC30 (likely, based on The Church's 1980s studio use and period interviews, but not directly confirmed for solo section)
PickupsRickenbacker Hi-Gain single coils
Amp Settings
gain5.5
bass6
mid7
treble7
reverb4
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1988. No direct source confirms exact gear for the solo, but period interviews and live photos suggest Rickenbacker 330 into Vox AC30. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
jangly yet bitingbright, glassy top endmodulated, swirling solo soundmedium gain with clear note separationchorus shimmerdistinct delay repeatsarticulate attackslight compressionstudio ambience with moderate reverbdynamic pick attack
Difficulty
The solo requires intermediate technique due to its melodic phrasing, use of effects, and need for precise timing with delay and chorus modulation. Articulation and dynamic control are important for capturing the recorded tone.