Riff Tone
Right In Two
TOOL
Guitarmetal2000s
Original Gear
Guitar1978 Gibson Les Paul Custom Silverburst
AmpDiezel VH4 (Channel 2 or 3, clean/edge settings likely for clean parts)
PickupsSeymour Duncan SH-4 JB (bridge humbucker)
Amp Settings
gain0
bass6
mid7
treble6
reverb2
presence5.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 2005-2006. Adam Jones is known to use his Les Paul Custom with the Diezel VH4 for clean sections on 10,000 Days. No evidence of alternate guitars or amps for the clean riff in 'Right In Two'.
Tone Character(10)
glassy and pristinelush spatial ambienceslightly compressed attackwide stereo imagecrystal-clear note separationwarm but not muddysubtle modulation shimmerdynamic and touch-sensitivestudio-polished clarityno audible drive or breakup
Difficulty
The clean riff requires accurate finger placement for wide voicings, clean picking technique, and tight timing to synchronize with delay repeats, making it moderately challenging.
This tone has been researched 2 times by the community
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Create Free AccountGuitarmetal2000s
Original Gear
Guitar1978 Gibson Les Paul Custom Silverburst
AmpDiezel VH4 (Channel 2 or 3, clean/edge settings likely for clean parts)
PickupsSeymour Duncan SH-4 JB (bridge humbucker)
Amp Settings
gain0
bass6
mid7
treble6
reverb2
presence5.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
This tone has been researched 2 times by the community
Notes
Studio recording, 2005-2006. Adam Jones is known to use his Les Paul Custom with the Diezel VH4 for clean sections on 10,000 Days. No evidence of alternate guitars or amps for the clean riff in 'Right In Two'.
Tone Character(10)
glassy and pristinelush spatial ambienceslightly compressed attackwide stereo imagecrystal-clear note separationwarm but not muddysubtle modulation shimmerdynamic and touch-sensitivestudio-polished clarityno audible drive or breakup
Difficulty
The clean riff requires accurate finger placement for wide voicings, clean picking technique, and tight timing to synchronize with delay repeats, making it moderately challenging.
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