Solo Tone
Rock Bottom
UFO
Guitarrock1970s
Original Gear
GuitarGibson Flying V (early 1970s, likely 1971 model)
AmpMarshall 50-watt Plexi stack
PickupsStock Gibson humbuckers (likely T-Top humbuckers)
Amp Settings
gain7
bass6
mid7
treble7
reverb1
presence6
Effects & Signal Chain
wahUnknown Wah-wah pedal (model unknown)
Notes
Studio recording, 1974. Confirmed by Michael Schenker in Guitar World interview for 'Strangers in the Night' era (same rig as studio). Wah pedal used for solo. No evidence of other pedals or effects. No evidence of effects loop or additional rack gear.
Tone Character(10)
singing sustainfluid legato linesaggressive, biting lead toneBritish cruncharticulate and dynamiccutting upper midsclassic Marshall overdriveexpressive wah sweepstight, focused attacknot overly saturated
Difficulty
The solo is technically demanding due to its speed, length, and phrasing complexity, requiring advanced picking, legato, and expressive wah pedal use.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Flying V (early 1970s, likely 1971 model)
AmpMarshall 50-watt Plexi stack
PickupsStock Gibson humbuckers (likely T-Top humbuckers)
Amp Settings
gain7
bass6
mid7
treble7
reverb1
presence6
Effects & Signal Chain
wahUnknown Wah-wah pedal (model unknown)
Notes
Studio recording, 1974. Confirmed by Michael Schenker in Guitar World interview for 'Strangers in the Night' era (same rig as studio). Wah pedal used for solo. No evidence of other pedals or effects. No evidence of effects loop or additional rack gear.
Tone Character(10)
singing sustainfluid legato linesaggressive, biting lead toneBritish cruncharticulate and dynamiccutting upper midsclassic Marshall overdriveexpressive wah sweepstight, focused attacknot overly saturated
Difficulty
The solo is technically demanding due to its speed, length, and phrasing complexity, requiring advanced picking, legato, and expressive wah pedal use.
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