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Solo Tone

Sampai Hati

Spring

Guitarrock1990s

Original Gear

GuitarUnknown (likely Strat-style or Superstrat, typical for Malaysian pop rock of 1990s)
AmpUnknown (likely Marshall or Roland JC-120, model not confirmed)
PickupsUnknown (likely single coil or HSS configuration, model unknown)

Amp Settings

gain6
bass6
mid6.5
treble7
reverb4.5
presence6

Effects & Signal Chain

overdriveUnknown Overdrive pedal (model unknown)
delayUnknown Delay pedal (model unknown)

Notes

No direct sources confirm the exact guitar or amp used on the studio recording of 'Sampai Hati' by Spring. 1990s Malaysian pop rock recordings often used Strat-style guitars and Marshall or Roland amps. This profile is estimated for the studio solo section, circa early/mid 1990s.

Tone Character(10)
singing sustainsmooth melodic leadslightly compressed attackmoderate gain, not high-gainclear note definitionwarm, rounded highsmedium reverb tailarticulate phrasingno heavy fuzz or scooped midssolo stands out in the mix

Difficulty

The solo requires intermediate technique, including expressive bends, smooth legato, and precise timing to match the delay repeats, but does not involve advanced shredding or complex chord work.

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Sampai Hati settings for your amp

Exact settings ToneAdapt players use on these amps.

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