Riff Tone
She Burned Me Down
Type O Negative
Guitarmetal1990s
Original Gear
GuitarFernandes Raven Elite Sustainer (early model, black, with green inlays, B tuning)
AmpA/DA MP-1 Preamp into Mesa/Boogie Simul-Class 2: Ninety power amp, Mesa/Boogie 4x12 cabinet
PickupsSeymour Duncan JB (bridge), Fernandes Sustainer (neck)
Amp Settings
gain8
bass7
mid4.5
treble6.5
reverb1.5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1996 (October Rust era). Kenny Hickey used Fernandes Raven Elite Sustainer as main guitar for this era. Amp setup was rack-based with A/DA MP-1 preamp and Mesa power amp/cab. No evidence of live rig or later Schecter guitars for this song/era.
Tone Character(10)
tight and percussivescooped midsheavy, saturated distortionarticulate palm-muted chugsdark, gothic metal tonalitythick low end without mudchorus shimmer in backgroundhigh-output bridge pickup attackdense, layered guitar soundclear note separation
Difficulty
The riff requires tight, articulate palm muting and precise rhythm in a low B tuning, but does not involve advanced lead techniques or complex chord voicings.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarFernandes Raven Elite Sustainer (early model, black, with green inlays, B tuning)
AmpA/DA MP-1 Preamp into Mesa/Boogie Simul-Class 2: Ninety power amp, Mesa/Boogie 4x12 cabinet
PickupsSeymour Duncan JB (bridge), Fernandes Sustainer (neck)
Amp Settings
gain8
bass7
mid4.5
treble6.5
reverb1.5
presence6
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1996 (October Rust era). Kenny Hickey used Fernandes Raven Elite Sustainer as main guitar for this era. Amp setup was rack-based with A/DA MP-1 preamp and Mesa power amp/cab. No evidence of live rig or later Schecter guitars for this song/era.
Tone Character(10)
tight and percussivescooped midsheavy, saturated distortionarticulate palm-muted chugsdark, gothic metal tonalitythick low end without mudchorus shimmer in backgroundhigh-output bridge pickup attackdense, layered guitar soundclear note separation
Difficulty
The riff requires tight, articulate palm muting and precise rhythm in a low B tuning, but does not involve advanced lead techniques or complex chord voicings.
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- Drunk In Paris · solo
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