Riff Tone
She Is My Sin
Nightwish
Guitarmetal2000s
Original Gear
GuitarESP EV-1 (Emppu Vuorinen signature, custom made, likely used on Wishmaster era studio recording)
AmpBogner Uberschall Series 120W Tube Guitar Amp Head with EL34s
PickupsSeymour Duncan TB-5 Custom Trembucker (bridge position)
Amp Settings
gain8
bass6
mid5
treble7
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2000 (Wishmaster album). Guitar is ESP EV-1 with Seymour Duncan TB-5 in bridge. Amp is Bogner Uberschall (not Engl Powerball, which was used later). No direct evidence of pedal use for main riff; rack effects and wah are in Emppu's rig but not confirmed for this part.
Tone Character(10)
tight and percussivehigh-gain saturationarticulate attackaggressive rhythm tonemodern metal claritypunchy low endslightly scooped midsclear note separationminimal ambiencefocused and punchy
Difficulty
The riff requires fast, tight palm-muted alternate picking and precise rhythm, typical of symphonic metal, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarESP EV-1 (Emppu Vuorinen signature, custom made, likely used on Wishmaster era studio recording)
AmpBogner Uberschall Series 120W Tube Guitar Amp Head with EL34s
PickupsSeymour Duncan TB-5 Custom Trembucker (bridge position)
Amp Settings
gain8
bass6
mid5
treble7
reverb1
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2000 (Wishmaster album). Guitar is ESP EV-1 with Seymour Duncan TB-5 in bridge. Amp is Bogner Uberschall (not Engl Powerball, which was used later). No direct evidence of pedal use for main riff; rack effects and wah are in Emppu's rig but not confirmed for this part.
Tone Character(10)
tight and percussivehigh-gain saturationarticulate attackaggressive rhythm tonemodern metal claritypunchy low endslightly scooped midsclear note separationminimal ambiencefocused and punchy
Difficulty
The riff requires fast, tight palm-muted alternate picking and precise rhythm, typical of symphonic metal, but does not involve advanced lead techniques or complex chord voicings.
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