Solo Tone
She's a Beauty
The Tubes
Guitarrock1980s
Original Gear
GuitarFender Stratocaster (likely early 1980s, possibly American Standard or similar)
AmpMarshall JCM800 (likely 2203 or 2204 head, as was common for 1980s rock studio recordings)
PickupsSingle-coil pickups (stock Fender Stratocaster single coils, likely Alnico V)
Amp Settings
gain6
bass6
mid7
treble7
reverb3
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1983. No direct evidence of alternate guitars or amps for the solo section. No evidence of live rig being used for the studio recording. Pedal/effect details inferred from audio and era. No explicit pedalboard or amp settings found in sources.
Tone Character(10)
bright and cuttingsinging sustainslightly compressed attackclear note separationchorus shimmermodest reverb tailarticulate upper midstouch of analog delaynot high-gain, but saturateddistinct modulation swirl
Difficulty
The solo requires intermediate technique, including melodic phrasing, expressive bends, and clean articulation, with added challenge from playing over a modulated, time-based effects-laden soundscape.
Sources
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Create Free AccountGuitarrock1980s
Original Gear
GuitarFender Stratocaster (likely early 1980s, possibly American Standard or similar)
AmpMarshall JCM800 (likely 2203 or 2204 head, as was common for 1980s rock studio recordings)
PickupsSingle-coil pickups (stock Fender Stratocaster single coils, likely Alnico V)
Amp Settings
gain6
bass6
mid7
treble7
reverb3
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
delayUnknown Delay pedal (model unknown)
Notes
Studio recording, 1983. No direct evidence of alternate guitars or amps for the solo section. No evidence of live rig being used for the studio recording. Pedal/effect details inferred from audio and era. No explicit pedalboard or amp settings found in sources.
Tone Character(10)
bright and cuttingsinging sustainslightly compressed attackclear note separationchorus shimmermodest reverb tailarticulate upper midstouch of analog delaynot high-gain, but saturateddistinct modulation swirl
Difficulty
The solo requires intermediate technique, including melodic phrasing, expressive bends, and clean articulation, with added challenge from playing over a modulated, time-based effects-laden soundscape.