Solo Tone
Shivers
The Witches & Nick Cave
Guitarrock2010s+
Original Gear
GuitarFender Telecaster
AmpFender Twin Reverb
PickupsSingle-coil (Fender Telecaster stock pickups)
Amp Settings
gain4
bass6
mid6.5
treble6.5
reverb5
presence5.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
reverbElectro-Harmonix Electro-Harmonix Holy Grail
delayBoss Boss DM-2W Waza Craft Delay
Notes
Studio recording, 2021 era. Gear inferred from All Them Witches' Ben McLeod's rig rundowns and visible use of Telecaster and Fender Twin Reverb in this period. No explicit evidence of alternate guitars/amps for the solo section of 'Shivers' with Nick Cave. No evidence of alternate pickup swaps or amp substitutions for this track.
Tone Character(10)
bright and articulateslightly overdriven edgesinging sustainopen and airy highstouch-sensitivedynamic pick attackmoderate reverb ambienceclear note separationnot heavily compressedexpressive phrasing
Difficulty
The solo requires intermediate technique, with expressive bends, dynamic phrasing, and control over note sustain and timing within a moderately reverberant and slightly overdriven context.
Sources
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Original Gear
GuitarFender Telecaster
AmpFender Twin Reverb
PickupsSingle-coil (Fender Telecaster stock pickups)
Amp Settings
gain4
bass6
mid6.5
treble6.5
reverb5
presence5.5
Effects & Signal Chain
overdriveBoss Boss BD-2 Blues Driver
reverbElectro-Harmonix Electro-Harmonix Holy Grail
delayBoss Boss DM-2W Waza Craft Delay
Notes
Studio recording, 2021 era. Gear inferred from All Them Witches' Ben McLeod's rig rundowns and visible use of Telecaster and Fender Twin Reverb in this period. No explicit evidence of alternate guitars/amps for the solo section of 'Shivers' with Nick Cave. No evidence of alternate pickup swaps or amp substitutions for this track.
Tone Character(10)
bright and articulateslightly overdriven edgesinging sustainopen and airy highstouch-sensitivedynamic pick attackmoderate reverb ambienceclear note separationnot heavily compressedexpressive phrasing
Difficulty
The solo requires intermediate technique, with expressive bends, dynamic phrasing, and control over note sustain and timing within a moderately reverberant and slightly overdriven context.