Distorted Tone
Shout at the Devil
Mötley Crüe
Bassmetal1980s
Original Gear
BassB.C. Rich Warlock Bass
AmpAmpeg SVT-CL Classic
PickupsPassive P/J (Precision/Jazz) configuration
Amp Settings
gain7
bass5.5
mid4.5
treble6.5
presence6
compression6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1983, Shout at the Devil album. Nikki Sixx used the original B.C. Rich Warlock bass and Ampeg SVT-CL Classic amp. No evidence of modern pedals or active electronics for this era.
Tone Character(9)
gritty and aggressivemidrange biteclanky pick attackgrowly low-midsslightly overdrivenpunchy and cuttingfull-bodied with edgeaudible distortion in mixtight low end with snarl
Difficulty
The line is rhythmically straightforward but requires stamina and precision for fast, aggressive pick playing and tight lock-in with the drums.
Sources
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Create Free AccountBassmetal1980s
Original Gear
BassB.C. Rich Warlock Bass
AmpAmpeg SVT-CL Classic
PickupsPassive P/J (Precision/Jazz) configuration
Amp Settings
gain7
bass5.5
mid4.5
treble6.5
presence6
compression6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1983, Shout at the Devil album. Nikki Sixx used the original B.C. Rich Warlock bass and Ampeg SVT-CL Classic amp. No evidence of modern pedals or active electronics for this era.
Tone Character(9)
gritty and aggressivemidrange biteclanky pick attackgrowly low-midsslightly overdrivenpunchy and cuttingfull-bodied with edgeaudible distortion in mixtight low end with snarl
Difficulty
The line is rhythmically straightforward but requires stamina and precision for fast, aggressive pick playing and tight lock-in with the drums.
Shout at the Devil settings for your amp
Exact settings ToneAdapt players use on these amps.
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