Riff Tone
Shout to the Lord
Hillsong Worship
Guitarother1990s
Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, mid-90s)
AmpRoland Jazz Chorus JC-120 (likely, based on era and genre conventions for Hillsong Worship studio recordings)
PickupsFender single-coil pickups
Amp Settings
gain0
bass6
mid6
treble6.5
reverb5
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1994. No direct evidence for exact guitar/amp model, but Stratocaster and Roland JC-120 are widely documented as staples for 1990s worship recordings and are visually/audibly consistent with the original track. No evidence of acoustic guitar as primary for riff section; electric guitar is present in the mix.
Tone Character(10)
clean and shimmeringbright and articulatelush stereo imagesubtle chorus modulationsoft attacksupportive, unobtrusive rhythmclear single-coil claritygentle reverb tailno audible distortionwarm, glassy highs
Difficulty
The riff section is straightforward, using simple chord shapes and clean strumming, with the main challenge being maintaining a consistent, soft dynamic and clean articulation.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarother1990s
Original Gear
GuitarFender Stratocaster (likely Japanese or American Standard, mid-90s)
AmpRoland Jazz Chorus JC-120 (likely, based on era and genre conventions for Hillsong Worship studio recordings)
PickupsFender single-coil pickups
Amp Settings
gain0
bass6
mid6
treble6.5
reverb5
presence5.5
Effects & Signal Chain
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1994. No direct evidence for exact guitar/amp model, but Stratocaster and Roland JC-120 are widely documented as staples for 1990s worship recordings and are visually/audibly consistent with the original track. No evidence of acoustic guitar as primary for riff section; electric guitar is present in the mix.
Tone Character(10)
clean and shimmeringbright and articulatelush stereo imagesubtle chorus modulationsoft attacksupportive, unobtrusive rhythmclear single-coil claritygentle reverb tailno audible distortionwarm, glassy highs
Difficulty
The riff section is straightforward, using simple chord shapes and clean strumming, with the main challenge being maintaining a consistent, soft dynamic and clean articulation.
More Hillsong Worship tones
- Free to Dance (Live) · riff
- Free to Dance (Live) · riff
- I Surrender · riff
- I Surrender (Live) · riff
- I'm Not Ashamed (Live) · riff
- I'm Not Ashamed (Live) · solo
- I'm Not Ashamed (Live) · riff
- O Praise the Name (Anástasis) · riff
- One Way (Live) · riff
- Reaching for You (Live) · solo