Solo Tone
Since You've Been Gone
Theory of a Deadman
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Classic
AmpMesa/Boogie Electra Dyne Combo
PickupsGibson humbuckers (stock Les Paul Classic)
Amp Settings
gain7
bass6
mid6
treble7
reverb3
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Gear confirmed for Tyler Connolly in Theory of a Deadman, main amp used per Equipboard. No explicit studio vs live distinction for this song, but assumed studio for album recording (2008-2009). No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustaintight and articulatemodern high-gain leadsmooth upper-midscrisp attackcontrolled feedbackslight amp reverb for spaceno modulation effectsbridge pickup bitefocused and present in the mix
Difficulty
The solo requires solid lead technique with controlled bends, vibrato, and clean articulation at a moderate tempo, but does not involve advanced shredding or complex timing.
Sources
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Original Gear
GuitarGibson Les Paul Classic
AmpMesa/Boogie Electra Dyne Combo
PickupsGibson humbuckers (stock Les Paul Classic)
Amp Settings
gain7
bass6
mid6
treble7
reverb3
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Gear confirmed for Tyler Connolly in Theory of a Deadman, main amp used per Equipboard. No explicit studio vs live distinction for this song, but assumed studio for album recording (2008-2009). No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustaintight and articulatemodern high-gain leadsmooth upper-midscrisp attackcontrolled feedbackslight amp reverb for spaceno modulation effectsbridge pickup bitefocused and present in the mix
Difficulty
The solo requires solid lead technique with controlled bends, vibrato, and clean articulation at a moderate tempo, but does not involve advanced shredding or complex timing.
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