Solo Tone
Smoke on the Water
Deep Purple
Guitarrock1970s
Original Gear
GuitarFender Stratocaster (early 1970s, likely 1968-1971 model, maple neck, stock single coils)
AmpMarshall Major 200W head (model 1967), 4x12 Marshall cabinets
PickupsFender single-coil pickups (stock Stratocaster, late '60s/early '70s)
Amp Settings
gain6
bass7.5
mid7
treble4.5
reverb2.5
presence5.5
Effects & Signal Chain
boostHornby-Skewes Hornby-Skewes Treble Booster
Notes
Studio recording, 1971-1972. Ritchie Blackmore used a Stratocaster with a Hornby-Skewes Treble Booster into a Marshall Major head. No other pedals confirmed for the solo. Settings are from studio context, not live.
Tone Character(10)
singing sustainfat and saturatedbiting upper midsclassic British crunchslightly compressed attackdynamic pick responseclear note separationharmonic overtonesnot overly scoopedtouch-sensitive
Difficulty
The solo requires intermediate to advanced control of pentatonic licks, expressive bends, and dynamic picking, but does not involve extreme speed or complex techniques beyond classic rock vocabulary.
Sources
This tone has been researched 11 times by the community
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Create Free AccountGuitarrock1970s
Original Gear
GuitarFender Stratocaster (early 1970s, likely 1968-1971 model, maple neck, stock single coils)
AmpMarshall Major 200W head (model 1967), 4x12 Marshall cabinets
PickupsFender single-coil pickups (stock Stratocaster, late '60s/early '70s)
Amp Settings
gain6
bass7.5
mid7
treble4.5
reverb2.5
presence5.5
Effects & Signal Chain
boostHornby-Skewes Hornby-Skewes Treble Booster
This tone has been researched 11 times by the community
Notes
Studio recording, 1971-1972. Ritchie Blackmore used a Stratocaster with a Hornby-Skewes Treble Booster into a Marshall Major head. No other pedals confirmed for the solo. Settings are from studio context, not live.
Tone Character(10)
singing sustainfat and saturatedbiting upper midsclassic British crunchslightly compressed attackdynamic pick responseclear note separationharmonic overtonesnot overly scoopedtouch-sensitive
Difficulty
The solo requires intermediate to advanced control of pentatonic licks, expressive bends, and dynamic picking, but does not involve extreme speed or complex techniques beyond classic rock vocabulary.
Smoke on the Water settings for your amp
Exact settings ToneAdapt players use on these amps.
- Smoke on the Water on Fender Mustang LT25
- Smoke on the Water on Boss Katana
- Smoke on the Water on Fender Frontman 10G
- Smoke on the Water on Line 6 Helix Floor / LT / Rack
- Smoke on the Water on Fender Champion 20
- Smoke on the Water on Fender Frontman 15G
- Smoke on the Water on Fender Mustang LT50
- Smoke on the Water on Fender Tone Master Pro
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