Solo Tone
Solution
Hillsong UNITED
Guitarrock2000s
Original Gear
GuitarFender Telecaster (likely American Standard or Deluxe, as used by Nigel Hendroff in this era)
AmpVox AC30 (Nigel Hendroff's primary amp for studio and live in 2007-2008 era)
PickupsFender single-coil Telecaster pickups
Amp Settings
gain5.5
bass5.5
mid6.5
treble7
reverb5
presence6
Effects & Signal Chain
overdriveFulltone Fulltone Fulldrive 2
delayStrymon Strymon Timeline (or Delay pedal, model unknown)
reverbStrymon Strymon BigSky (or Reverb pedal, model unknown)
modulationLine 6 Line 6 M9 (modulation patch, likely chorus or shimmer)
Notes
Studio recording, 2007 (All of the Above album). Gear inferred from era-specific interviews and pedalboard photos; no direct studio documentation for this song, but consistent with Nigel Hendroff's known setup for this period.
Tone Character(10)
ambient and spacioussinging sustaincrunchy, harmonically rich overdrivemodulated delay trailslush, atmospheric reverbpresent, but not harsh, top endarticulate note separationslightly compresseddynamic pick attacknot heavily saturated
Difficulty
The solo requires intermediate technique due to the need for precise timing with delay, dynamic control for sustain, and clean articulation through ambient effects. Expressive phrasing and vibrato add to the challenge.
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Original Gear
GuitarFender Telecaster (likely American Standard or Deluxe, as used by Nigel Hendroff in this era)
AmpVox AC30 (Nigel Hendroff's primary amp for studio and live in 2007-2008 era)
PickupsFender single-coil Telecaster pickups
Amp Settings
gain5.5
bass5.5
mid6.5
treble7
reverb5
presence6
Effects & Signal Chain
overdriveFulltone Fulltone Fulldrive 2
delayStrymon Strymon Timeline (or Delay pedal, model unknown)
reverbStrymon Strymon BigSky (or Reverb pedal, model unknown)
modulationLine 6 Line 6 M9 (modulation patch, likely chorus or shimmer)
Notes
Studio recording, 2007 (All of the Above album). Gear inferred from era-specific interviews and pedalboard photos; no direct studio documentation for this song, but consistent with Nigel Hendroff's known setup for this period.
Tone Character(10)
ambient and spacioussinging sustaincrunchy, harmonically rich overdrivemodulated delay trailslush, atmospheric reverbpresent, but not harsh, top endarticulate note separationslightly compresseddynamic pick attacknot heavily saturated
Difficulty
The solo requires intermediate technique due to the need for precise timing with delay, dynamic control for sustain, and clean articulation through ambient effects. Expressive phrasing and vibrato add to the challenge.
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