Riff Tone
Someday Never Comes
Creedence Clearwater Revival
Guitarrock1970s
Original Gear
GuitarRickenbacker 325 (Sunburst, with Gibson bridge humbucker and Bigsby added)
AmpKustom K200A-4 100-watt solid-state amplifier with JBL D130 speakers
PickupsGibson humbucker in bridge position (modded), Rickenbacker single coils in neck/middle
Amp Settings
gain0
bass5.5
mid6.5
treble6.5
reverb2
presence4.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1972. No pedals; guitar plugged directly into amp. Amp reverb and tremolo available but typically not used for CCR's dry, present tone. Gear confirmed for CCR's late period including 'Someday Never Comes'.
Tone Character(10)
clean and presenttreble-forwardslightly mid-emphasizeddry and articulatevintage claritytight attackslight compression from amp/guitar techniqueno excessive reverb or delaybright but not harshcutting bridge pickup sound
Difficulty
The riff requires tight, syncopated picking and hybrid picking technique for the classic CCR attack, but does not involve advanced chords or fast lead work.
Sources
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Create Free AccountGuitarrock1970s
Original Gear
GuitarRickenbacker 325 (Sunburst, with Gibson bridge humbucker and Bigsby added)
AmpKustom K200A-4 100-watt solid-state amplifier with JBL D130 speakers
PickupsGibson humbucker in bridge position (modded), Rickenbacker single coils in neck/middle
Amp Settings
gain0
bass5.5
mid6.5
treble6.5
reverb2
presence4.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1972. No pedals; guitar plugged directly into amp. Amp reverb and tremolo available but typically not used for CCR's dry, present tone. Gear confirmed for CCR's late period including 'Someday Never Comes'.
Tone Character(10)
clean and presenttreble-forwardslightly mid-emphasizeddry and articulatevintage claritytight attackslight compression from amp/guitar techniqueno excessive reverb or delaybright but not harshcutting bridge pickup sound
Difficulty
The riff requires tight, syncopated picking and hybrid picking technique for the classic CCR attack, but does not involve advanced chords or fast lead work.
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