Riff Tone
Stare At The Void
Superheaven
Guitarrock2010s+
Original Gear
GuitarSquier Vintage Modified Jazzmaster
AmpHiwatt Custom 100 Amplifier Head
PickupsDuncan Designed JM-101 single coil Jazzmaster pickups
Amp Settings
gain7
bass6
mid6.5
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
fuzzWay Huge Way Huge Swollen Pickle MKII Jumbo Fuzz
Notes
Studio recording, 2015 (from 'Ours Is Chrome' era). Guitarist Taylor Madison is confirmed to use this Jazzmaster and Hiwatt Custom 100 for Superheaven's signature riff tones. No evidence of alternate guitars or amps for this specific recording. Cabinet likely Avatar G412 4x12. No evidence of live rig differences for this song.
Tone Character(10)
thick and saturatedcrushing and bass-heavyaggressive attacklush and texturalslightly scooped midsexpansive and room-fillingfuzzy and grittytight low endmelodic yet heavysludgy and dense
Difficulty
The riff is moderately challenging due to its syncopated palm muting, power chord slides, and the need for tight rhythm under heavy fuzz. However, it does not require advanced lead techniques or complex chord voicings.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarSquier Vintage Modified Jazzmaster
AmpHiwatt Custom 100 Amplifier Head
PickupsDuncan Designed JM-101 single coil Jazzmaster pickups
Amp Settings
gain7
bass6
mid6.5
treble6.5
reverb1.5
presence5.5
Effects & Signal Chain
fuzzWay Huge Way Huge Swollen Pickle MKII Jumbo Fuzz
Notes
Studio recording, 2015 (from 'Ours Is Chrome' era). Guitarist Taylor Madison is confirmed to use this Jazzmaster and Hiwatt Custom 100 for Superheaven's signature riff tones. No evidence of alternate guitars or amps for this specific recording. Cabinet likely Avatar G412 4x12. No evidence of live rig differences for this song.
Tone Character(10)
thick and saturatedcrushing and bass-heavyaggressive attacklush and texturalslightly scooped midsexpansive and room-fillingfuzzy and grittytight low endmelodic yet heavysludgy and dense
Difficulty
The riff is moderately challenging due to its syncopated palm muting, power chord slides, and the need for tight rhythm under heavy fuzz. However, it does not require advanced lead techniques or complex chord voicings.
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