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Solo Tone

Still got the blues

Unknown Artist

Guitarblues1990s

Original Gear

Guitar1959 Gibson Les Paul Standard

Amp1989 Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)

PickupsOriginal PAF humbuckers

Amp Settings

gain5.5

bass5

mid8

treble6.5

reverb2

presence5

Effects & Signal Chain

distortionMarshall Marshall The Guv'nor

chorusRoland Roland SDD-320 Dimension D

Notes

Studio recording, 1990, solo section. Gear confirmed by multiple sources as used on the original studio recording of 'Still Got The Blues' solo.

Tone Character(10)

singing sustainthick, vocal-like lead tonewarm and smooth neck pickup soundboosted midrangefat, sustaining notestouch-sensitive dynamicsslightly compressedgloriously thick, singing toneedge-of-breakup crunchsubtle stereo chorus ambience

Difficulty

The solo demands advanced control of vibrato, bending, sustain, and phrasing, as well as dynamic touch and expressive articulation, making it challenging for most players.

Sources

Gary Moore's tone on Still Got the Blues: how he got his sound | Guitar World 14 of Gary Moore's finest guitars, amps and effects - in pictures | MusicRadar Gary Moore's Les Pauls, Guitar Gear, Pedalboard & Amps | Equipboard

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Guitarblues1990s

Original Gear

Guitar1959 Gibson Les Paul Standard

Amp1989 Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)

PickupsOriginal PAF humbuckers

Amp Settings

gain5.5

bass5

mid8

treble6.5

reverb2

presence5

Effects & Signal Chain

distortionMarshall Marshall The Guv'nor

chorusRoland Roland SDD-320 Dimension D

Sources

Gary Moore's tone on Still Got the Blues: how he got his sound | Guitar World 14 of Gary Moore's finest guitars, amps and effects - in pictures | MusicRadar Gary Moore's Les Pauls, Guitar Gear, Pedalboard & Amps | Equipboard

Notes

Studio recording, 1990, solo section. Gear confirmed by multiple sources as used on the original studio recording of 'Still Got The Blues' solo.

Tone Character(10)

singing sustainthick, vocal-like lead tonewarm and smooth neck pickup soundboosted midrangefat, sustaining notestouch-sensitive dynamicsslightly compressedgloriously thick, singing toneedge-of-breakup crunchsubtle stereo chorus ambience

Difficulty

The solo demands advanced control of vibrato, bending, sustain, and phrasing, as well as dynamic touch and expressive articulation, making it challenging for most players.

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Still got the blues by Unknown Artist — Solo Tone Settings | ToneAdapt