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Riff Tone

Still Got the Blues (Full Version)

Gary Moore

Guitarblues1990s

Original Gear

Guitar1959 Gibson Les Paul Standard
Amp1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (EVM12L speakers)
PickupsPAF-style humbuckers

Amp Settings

gain6.5
bass6
mid7.5
treble6
reverb3.5
presence5.5

Effects & Signal Chain

distortionMarshall Marshall The Guv'nor
chorusRoland Chorus pedal (likely Roland Dimension D or similar)

Notes

Studio recording, 1990. Main riff section uses neck pickup. Amp settings and pedal use are based on studio sources and interviews. Not live/touring rig.

Tone Character(10)
warm and singing neck pickup tonemoderate gain with strong midsrolled-off treble for classic blues sustainrich and full clean tonesubtle chorus effectfat, sustaining tonesexpressive dynamicsnatural sustaintouch-sensitiveclassic Fifties Les Paul/Marshall JTM rig

Difficulty

The riff requires intermediate-level technique due to expressive bends, vibrato, and dynamic control, but does not involve advanced speed or complex chord voicings.

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Still Got the Blues (Full Version) by Gary Moore — Riff Tone Settings | ToneAdapt