Solo Tone
Stillness of Heart
Lenny Kravitz
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (vintage, likely late 50s or early 60s, as per Kravitz's known studio guitars)
AmpVintage tube amp (likely Marshall or Fender, but exact model not confirmed for this song; Kravitz is known for vintage tube amps with minimal processing)
PickupsGibson PAF-style humbuckers
Amp Settings
gain4.5
bass6.5
mid7
treble6.5
reverb4
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2001 (from the 'Lenny' album). Kravitz is known for plugging vintage Les Pauls straight into vintage tube amps with little to no pedals, especially for solos. No evidence of live-specific gear or alternate guitars for this solo.
Tone Character(10)
warm and expressiveslightly overdriven edge-of-breakupsinging sustaindynamic and touch-sensitiveclear note separationorganic amp-driven breakupsmooth midrangerounded highsfull-bodiedminimal processing
Difficulty
The solo requires intermediate-level control of bends, vibrato, and dynamic phrasing, but does not involve fast runs or advanced techniques.
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Original Gear
GuitarGibson Les Paul Standard (vintage, likely late 50s or early 60s, as per Kravitz's known studio guitars)
AmpVintage tube amp (likely Marshall or Fender, but exact model not confirmed for this song; Kravitz is known for vintage tube amps with minimal processing)
PickupsGibson PAF-style humbuckers
Amp Settings
gain4.5
bass6.5
mid7
treble6.5
reverb4
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 2001 (from the 'Lenny' album). Kravitz is known for plugging vintage Les Pauls straight into vintage tube amps with little to no pedals, especially for solos. No evidence of live-specific gear or alternate guitars for this solo.
Tone Character(10)
warm and expressiveslightly overdriven edge-of-breakupsinging sustaindynamic and touch-sensitiveclear note separationorganic amp-driven breakupsmooth midrangerounded highsfull-bodiedminimal processing
Difficulty
The solo requires intermediate-level control of bends, vibrato, and dynamic phrasing, but does not involve fast runs or advanced techniques.
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