Riff Tone
Stone the Crow
DOWN
Guitarmetal1990s
Original Gear
GuitarGibson Firebird Studio
AmpAmpeg SS-150H
PickupsGibson mini-humbuckers
Amp Settings
gain7.5
bass7.5
mid6.5
treble6
reverb1
presence6
Effects & Signal Chain
distortionBoss Boss Metal Zone MT-2
Notes
Studio recording for 'NOLA' album (1995). Pepper Keenan's main rhythm tone. Some sources mention Randall solid state amps and a Boss Metal Zone pedal for Kirk Windstein, but for the main riff, the Firebird Studio into the Ampeg SS-150H is most consistently cited. No evidence of live/tour substitutions for the studio recording.
Tone Character(10)
thick and sludgydirty, overdriven texturegroove-ladenheavy and saturatedtight and percussivemid-heavychunky and sustainedsolid-state clarityrich low endaggressive palm muting
Difficulty
The riff requires solid timing, tight palm muting, and a heavy groove feel, but does not involve advanced lead techniques or complex chord voicings.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson Firebird Studio
AmpAmpeg SS-150H
PickupsGibson mini-humbuckers
Amp Settings
gain7.5
bass7.5
mid6.5
treble6
reverb1
presence6
Effects & Signal Chain
distortionBoss Boss Metal Zone MT-2
Notes
Studio recording for 'NOLA' album (1995). Pepper Keenan's main rhythm tone. Some sources mention Randall solid state amps and a Boss Metal Zone pedal for Kirk Windstein, but for the main riff, the Firebird Studio into the Ampeg SS-150H is most consistently cited. No evidence of live/tour substitutions for the studio recording.
Tone Character(10)
thick and sludgydirty, overdriven texturegroove-ladenheavy and saturatedtight and percussivemid-heavychunky and sustainedsolid-state clarityrich low endaggressive palm muting
Difficulty
The riff requires solid timing, tight palm muting, and a heavy groove feel, but does not involve advanced lead techniques or complex chord voicings.
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