Riff Tone
Strawberry Gashes
Jack Off Jill
Guitarrock2000s
Original Gear
GuitarJackson Dinky (likely JS11 or similar, as used by Scott Putesky in studio)
AmpPeavey Bandit 65 (solid state combo, as per Equipboard studio/lives notes)
PickupsBill Lawrence L-500-XL (bridge humbucker, as per Equipboard studio/lives notes)
Amp Settings
gain7
bass6
mid5
treble7
reverb2
presence6
Effects & Signal Chain
distortionUnknown Distortion pedal (model unknown)
Notes
Studio recording, circa 2000 (Clear Hearts Grey Flowers). Gear confirmed for Scott Putesky's studio use, but not tied to this exact song. No evidence of alternate guitars/amps for this track. No explicit pedalboard or effect chain for this song found.
Tone Character(10)
raw and grittyaggressive and powerfuldirty, unpolished edgecrushing high-gaintight and percussivemid-heavy with cutting trebleslightly scooped but not thinsaturated distortionarticulate attackrelentless, driving rhythm
Difficulty
The riff is rhythmically straightforward but requires solid palm muting and aggressive picking to maintain clarity and energy with a high-gain tone.
Sources
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Original Gear
GuitarJackson Dinky (likely JS11 or similar, as used by Scott Putesky in studio)
AmpPeavey Bandit 65 (solid state combo, as per Equipboard studio/lives notes)
PickupsBill Lawrence L-500-XL (bridge humbucker, as per Equipboard studio/lives notes)
Amp Settings
gain7
bass6
mid5
treble7
reverb2
presence6
Effects & Signal Chain
distortionUnknown Distortion pedal (model unknown)
Notes
Studio recording, circa 2000 (Clear Hearts Grey Flowers). Gear confirmed for Scott Putesky's studio use, but not tied to this exact song. No evidence of alternate guitars/amps for this track. No explicit pedalboard or effect chain for this song found.
Tone Character(10)
raw and grittyaggressive and powerfuldirty, unpolished edgecrushing high-gaintight and percussivemid-heavy with cutting trebleslightly scooped but not thinsaturated distortionarticulate attackrelentless, driving rhythm
Difficulty
The riff is rhythmically straightforward but requires solid palm muting and aggressive picking to maintain clarity and energy with a high-gain tone.
More Jack Off Jill tones
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