Riff Tone
Stray Cat Blues
The Rolling Stones
Guitarrock1960s
Original Gear
GuitarGibson Les Paul Standard (likely 1958 or 1959, sunburst, used by Keith Richards)
AmpVox AC30 (likely), possibly Fender Twin or Ampeg (studio context, 1968 era Stones)
PickupsP.A.F. humbuckers
Amp Settings
gain5
bass6
mid7
treble6.5
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1968. Gear based on Stones' known studio setup for Beggars Banquet era. No direct source confirmation for exact amp, but Les Paul Standard with PAFs is well-documented for this session. No evidence of pedals or effects beyond possible amp reverb.
Tone Character(10)
thick, biting midrangeslightly overdriven British crunchraw, open chord attackwarm, punchy lowsbright, cutting highstouch-sensitive dynamicsclassic late-60s rock rhythmpercussive, aggressive riffingsustained, singing notesno obvious modulation or delay effects
Difficulty
The riff requires solid timing, dynamic pick attack, and control of open chord voicings with a crunchy tone, but does not involve advanced techniques or fast runs.
Sources
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Create Free AccountGuitarrock1960s
Original Gear
GuitarGibson Les Paul Standard (likely 1958 or 1959, sunburst, used by Keith Richards)
AmpVox AC30 (likely), possibly Fender Twin or Ampeg (studio context, 1968 era Stones)
PickupsP.A.F. humbuckers
Amp Settings
gain5
bass6
mid7
treble6.5
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1968. Gear based on Stones' known studio setup for Beggars Banquet era. No direct source confirmation for exact amp, but Les Paul Standard with PAFs is well-documented for this session. No evidence of pedals or effects beyond possible amp reverb.
Tone Character(10)
thick, biting midrangeslightly overdriven British crunchraw, open chord attackwarm, punchy lowsbright, cutting highstouch-sensitive dynamicsclassic late-60s rock rhythmpercussive, aggressive riffingsustained, singing notesno obvious modulation or delay effects
Difficulty
The riff requires solid timing, dynamic pick attack, and control of open chord voicings with a crunchy tone, but does not involve advanced techniques or fast runs.
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