Riff Tone
Suffer Little Children
The Smiths
Guitarrock1980s
Original Gear
GuitarRickenbacker 330
AmpFender Twin Reverb (Silverface, early 1980s studio recording)
PickupsRickenbacker Hi-Gain single coils
Amp Settings
gain3
bass5
mid5
treble7
reverb3.5
presence5.5
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1983-1984, debut album sessions. Johnny Marr used a Rickenbacker 330 through a Fender Twin Reverb for the main riff, sometimes with a Roland JC-120 for added chorus in the studio. Chorus effect likely from pedal, not amp. Settings and effects are for the studio recording, not live.
Tone Character(10)
bright and shimmeringclean and articulatejanglyhaunting qualitygentle and melodicdeep silky tonelush chorus texturesubtle spring reverbslightly compressednot aggressive or distorted
Difficulty
The riff is not technically demanding in terms of speed or advanced techniques, but requires clean, accurate picking and subtle dynamic control to achieve the signature haunting, jangly sound.
Sources
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Original Gear
GuitarRickenbacker 330
AmpFender Twin Reverb (Silverface, early 1980s studio recording)
PickupsRickenbacker Hi-Gain single coils
Amp Settings
gain3
bass5
mid5
treble7
reverb3.5
presence5.5
Effects & Signal Chain
compressionUnknown Compressor pedal (model unknown)
chorusUnknown Chorus pedal (model unknown)
Notes
Studio recording, 1983-1984, debut album sessions. Johnny Marr used a Rickenbacker 330 through a Fender Twin Reverb for the main riff, sometimes with a Roland JC-120 for added chorus in the studio. Chorus effect likely from pedal, not amp. Settings and effects are for the studio recording, not live.
Tone Character(10)
bright and shimmeringclean and articulatejanglyhaunting qualitygentle and melodicdeep silky tonelush chorus texturesubtle spring reverbslightly compressednot aggressive or distorted
Difficulty
The riff is not technically demanding in terms of speed or advanced techniques, but requires clean, accurate picking and subtle dynamic control to achieve the signature haunting, jangly sound.
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