Riff Tone
Sunshine of Your Love (Mono version)
Cream
Guitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard (The Fool)
Amp1966 Marshall Super 100 (JTM 45/100) with KT66 tubes, Marshall 1960B 4x12 cabinet with Celestion G12M 'greenback' speakers
PickupsGibson PAF humbuckers
Amp Settings
gain7.5
bass8.5
mid9
treble8
reverb0
presence7.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1967. Main riff/verse/chorus sections use the bridge pickup. No pedals or external effects, just guitar into amp. Settings and signal chain confirmed for studio recording of 'Sunshine of Your Love (Mono version)'.
Tone Character(10)
fat and honking midrangepercussive attackbrighter but still warmfull frequency rangenatural compressionsinging sustainBritish crunchwoman tonethick and vocal-likerich harmonic content
Difficulty
The riff is iconic but not technically demanding; the challenge lies in the syncopated rhythm, muting technique, and achieving the percussive, fat tone with consistent picking.
Sources
This tone has been researched 3 times by the community
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Create Free AccountGuitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard (The Fool)
Amp1966 Marshall Super 100 (JTM 45/100) with KT66 tubes, Marshall 1960B 4x12 cabinet with Celestion G12M 'greenback' speakers
PickupsGibson PAF humbuckers
Amp Settings
gain7.5
bass8.5
mid9
treble8
reverb0
presence7.5
Effects & Signal Chain
No effects used for this tone
This tone has been researched 3 times by the community
Notes
Studio recording, 1967. Main riff/verse/chorus sections use the bridge pickup. No pedals or external effects, just guitar into amp. Settings and signal chain confirmed for studio recording of 'Sunshine of Your Love (Mono version)'.
Tone Character(10)
fat and honking midrangepercussive attackbrighter but still warmfull frequency rangenatural compressionsinging sustainBritish crunchwoman tonethick and vocal-likerich harmonic content
Difficulty
The riff is iconic but not technically demanding; the challenge lies in the syncopated rhythm, muting technique, and achieving the percussive, fat tone with consistent picking.
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