Riff Tone
Sympathy for the Devil
The Rolling Stones
Guitarrock1960s
Original Gear
Guitar1957 Gibson Les Paul Custom
AmpVox AC30
PickupsGibson PAF humbuckers
Amp Settings
gain4.5
bass6
mid7
treble7
reverb2
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1968. Gear confirmed for the main riff/rhythm section of 'Sympathy for the Devil' on Beggars Banquet. No evidence of pedals used for the riff; treble boost may have been used for the solo, but not for the riff. No evidence of live/touring substitutions for this section.
Tone Character(10)
classic British cruncharticulate midrangeslight breakup on chordsclear note separationmildly driven, not high-gainpercussive attackwarm neck pickup tonesubtle overdrivenot heavily saturatedtight and responsive
Difficulty
The riff requires tight, syncopated strumming and precise chord changes to lock in with the song's groove, but does not involve advanced lead techniques or fast passages.
Sources
“Mick came in with a song, but it was very Dylan-esque. It was like a ballad. ‘No, no. Let’s rethink. What if we push the beat up a bit?’”: How The Rolling Stones created their Satanic, samba-fuelled masterpiece Sympathy For The Devil | MusicRadarReplicating Sympathy For The Devil solo tone - RedditRolling Stones gear on Beggars Banquet & Let it Bleed
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Create Free AccountGuitarrock1960s
Original Gear
Guitar1957 Gibson Les Paul Custom
AmpVox AC30
PickupsGibson PAF humbuckers
Amp Settings
gain4.5
bass6
mid7
treble7
reverb2
presence5.5
Effects & Signal Chain
No effects used for this tone
Sources
“Mick came in with a song, but it was very Dylan-esque. It was like a ballad. ‘No, no. Let’s rethink. What if we push the beat up a bit?’”: How The Rolling Stones created their Satanic, samba-fuelled masterpiece Sympathy For The Devil | MusicRadarReplicating Sympathy For The Devil solo tone - RedditRolling Stones gear on Beggars Banquet & Let it Bleed
Notes
Studio recording, 1968. Gear confirmed for the main riff/rhythm section of 'Sympathy for the Devil' on Beggars Banquet. No evidence of pedals used for the riff; treble boost may have been used for the solo, but not for the riff. No evidence of live/touring substitutions for this section.
Tone Character(10)
classic British cruncharticulate midrangeslight breakup on chordsclear note separationmildly driven, not high-gainpercussive attackwarm neck pickup tonesubtle overdrivenot heavily saturatedtight and responsive
Difficulty
The riff requires tight, syncopated strumming and precise chord changes to lock in with the song's groove, but does not involve advanced lead techniques or fast passages.
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