Solo Tone
Te para Tres (En Vivo) [feat. Gustavo Cerati]
Luis Alberto Spinetta
Guitarrock2010s+
Original Gear
GuitarGibson ES-335 (likely, based on Cerati's use for 'Te para Tres' live)
AmpUnknown (no explicit source for amp model; likely a clean tube combo or head, possibly Fender or Marshall, but not confirmed for this show/solo)
PickupsGibson ES-335 stock humbuckers
Amp Settings
gain4
bass6
mid7
treble6.5
reverb4.5
presence5.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Live performance, Estadio Vélez Sarsfield, 2009. Gear info for this exact solo is limited; guitar confirmed as ES-335 for Cerati on this song, amp not specified in sources.
Tone Character(10)
warm and smoothslightly overdrivensinging sustainclear note separationairy and opentouch-sensitivemild breakupnot compressedclassic rock/jazz fusion flavorrounded highs
Difficulty
The solo requires intermediate technique, with a focus on expressive bends, legato, and dynamic control, but does not feature fast runs or advanced technical passages.
Sources
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson ES-335 (likely, based on Cerati's use for 'Te para Tres' live)
AmpUnknown (no explicit source for amp model; likely a clean tube combo or head, possibly Fender or Marshall, but not confirmed for this show/solo)
PickupsGibson ES-335 stock humbuckers
Amp Settings
gain4
bass6
mid7
treble6.5
reverb4.5
presence5.5
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
Notes
Live performance, Estadio Vélez Sarsfield, 2009. Gear info for this exact solo is limited; guitar confirmed as ES-335 for Cerati on this song, amp not specified in sources.
Tone Character(10)
warm and smoothslightly overdrivensinging sustainclear note separationairy and opentouch-sensitivemild breakupnot compressedclassic rock/jazz fusion flavorrounded highs
Difficulty
The solo requires intermediate technique, with a focus on expressive bends, legato, and dynamic control, but does not feature fast runs or advanced technical passages.