Riff Tone
Thanx Dub (Instrumental)
Sublime
Guitarother1990s
Original Gear
GuitarFender Stratocaster (likely 1970s-early 1990s, as used by Bradley Nowell in studio)
AmpFender Twin Reverb (Blackface or Silverface, studio recording era)
PickupsFender single-coil pickups (stock or vintage-style, exact model unknown)
Amp Settings
gain0
bass6
mid5.5
treble6.5
reverb4
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1996 era. No direct evidence for this specific song, but this is the most commonly documented studio setup for Sublime's clean reggae/dub tones. No evidence of pedal use for clean rhythm in this track.
Tone Character(10)
warm and roundedbright but not harsharticulate single-coil clarityslightly rolled-off highstight and percussive attackspring reverb ambiencedynamic and touch-sensitiveclean with no audible breakupchimey upper midssubtle low-end thump
Difficulty
The riff requires tight, syncopated reggae rhythm playing with clean, muted chord stabs and dynamic control, but no advanced techniques or fast passages.
Sources
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Create Free AccountGuitarother1990s
Original Gear
GuitarFender Stratocaster (likely 1970s-early 1990s, as used by Bradley Nowell in studio)
AmpFender Twin Reverb (Blackface or Silverface, studio recording era)
PickupsFender single-coil pickups (stock or vintage-style, exact model unknown)
Amp Settings
gain0
bass6
mid5.5
treble6.5
reverb4
presence5.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1996 era. No direct evidence for this specific song, but this is the most commonly documented studio setup for Sublime's clean reggae/dub tones. No evidence of pedal use for clean rhythm in this track.
Tone Character(10)
warm and roundedbright but not harsharticulate single-coil clarityslightly rolled-off highstight and percussive attackspring reverb ambiencedynamic and touch-sensitiveclean with no audible breakupchimey upper midssubtle low-end thump
Difficulty
The riff requires tight, syncopated reggae rhythm playing with clean, muted chord stabs and dynamic control, but no advanced techniques or fast passages.
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