Riff Tone
The Model
Big Black
Guitarpunk1980s
Original Gear
GuitarTravis Bean TB500
AmpIntersound IVP preamp into Fender Bassman head
PickupsSingle coil (Travis Bean TB500 stock pickups, aluminum neck)
Amp Settings
gain8.5
bass5
mid6.5
treble8
reverb0
presence7
Effects & Signal Chain
fuzzInterfax Interfax Harmonic Percolator
Notes
Studio recording, 1986-1987. Steve Albini's main rig for Big Black's 'Songs About Fucking' era. The Intersound IVP preamp was used for its distinctive distortion, into a Fender Bassman for amplification. No evidence of live rig or alternate guitars for this track.
Tone Character(10)
cutting and brutalincisive and metallicgnarly feedbackbright and aggressiveharsh upper midstight and percussive attackraw and abrasiveesoteric and personaldirty and intentionally abrasivehigh presence and clarity
Difficulty
The riff is rhythmically straightforward but requires aggressive picking, control of feedback and noise, and tight muting to maintain clarity with a very high-gain, abrasive tone.
Sources
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Create Free AccountGuitarpunk1980s
Original Gear
GuitarTravis Bean TB500
AmpIntersound IVP preamp into Fender Bassman head
PickupsSingle coil (Travis Bean TB500 stock pickups, aluminum neck)
Amp Settings
gain8.5
bass5
mid6.5
treble8
reverb0
presence7
Effects & Signal Chain
fuzzInterfax Interfax Harmonic Percolator
Notes
Studio recording, 1986-1987. Steve Albini's main rig for Big Black's 'Songs About Fucking' era. The Intersound IVP preamp was used for its distinctive distortion, into a Fender Bassman for amplification. No evidence of live rig or alternate guitars for this track.
Tone Character(10)
cutting and brutalincisive and metallicgnarly feedbackbright and aggressiveharsh upper midstight and percussive attackraw and abrasiveesoteric and personaldirty and intentionally abrasivehigh presence and clarity
Difficulty
The riff is rhythmically straightforward but requires aggressive picking, control of feedback and noise, and tight muting to maintain clarity with a very high-gain, abrasive tone.