Solo Tone
The Sheltering Sky
King Crimson
Guitarrock1980s
Original Gear
GuitarRoland G-303 Guitar Controller
AmpRoland JC-120 Jazz Chorus
PickupsRoland G-303 stock humbuckers (for synth triggering, likely DiMarzio Super Distortion or similar)
Amp Settings
gain3
bass5.5
mid6.5
treble6.5
reverb3
presence5
Effects & Signal Chain
otherRoland Roland GR-300 Guitar Synthesizer
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, 1981 (Discipline sessions). Adrian Belew used the Roland G-303 to control the Roland GR-300 guitar synthesizer for the solo section. The JC-120 was used as the main amp for synth and guitar signals. This is for the original studio version, not live.
Tone Character(10)
synth-like and liquidsmooth, glassy top endmodulated, swirling textureschorus-rich and ambientethereal, sustaining solo voicepolyphonic synth timbremild compressionnot a traditional guitar distortionart-rock/progressive sounddistinctive, futuristic lead
Difficulty
The solo demands advanced technique to coordinate guitar playing with synth triggering, maintain expressive phrasing over a complex rhythmic structure, and control the synth's articulation and dynamics.
Sources
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1980s
Original Gear
GuitarRoland G-303 Guitar Controller
AmpRoland JC-120 Jazz Chorus
PickupsRoland G-303 stock humbuckers (for synth triggering, likely DiMarzio Super Distortion or similar)
Amp Settings
gain3
bass5.5
mid6.5
treble6.5
reverb3
presence5
Effects & Signal Chain
otherRoland Roland GR-300 Guitar Synthesizer
compressionUnknown Compressor pedal (model unknown)
Notes
Studio recording, 1981 (Discipline sessions). Adrian Belew used the Roland G-303 to control the Roland GR-300 guitar synthesizer for the solo section. The JC-120 was used as the main amp for synth and guitar signals. This is for the original studio version, not live.
Tone Character(10)
synth-like and liquidsmooth, glassy top endmodulated, swirling textureschorus-rich and ambientethereal, sustaining solo voicepolyphonic synth timbremild compressionnot a traditional guitar distortionart-rock/progressive sounddistinctive, futuristic lead
Difficulty
The solo demands advanced technique to coordinate guitar playing with synth triggering, maintain expressive phrasing over a complex rhythmic structure, and control the synth's articulation and dynamics.
More King Crimson tones
- Matte Kudasai · solo
- 21st Century Schizoid Man (Including "Mirrors") · riff
- Larks' Tongues In Aspic, Pt. 2 · riff
- 21st Century Schizoid Man (Including "Mirrors") · solo
- 21st Century Schizoid Man (Including "Mirrors") · distorted
- Easy Money · riff
- Elephant Talk · solo
- Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow") · riff
- Fallen Angel · riff
- Frame By Frame · riff