Riff Tone
The Toxic Waltz
Exodus
Guitarmetal1980s
Original Gear
Guitar1988 Ibanez 540S
AmpMarshall JCM800 2203
PickupsIbanez stock humbuckers (likely V1/V2, high-output, passive)
Amp Settings
gain7.5
bass5.5
mid4
treble7
reverb0
presence6
Effects & Signal Chain
noise_gateUnknown Noise Gate (model unknown)
Notes
Studio recording, 1988-1989. Rick Hunolt played the main riff on the album using his 1988 Ibanez 540S through a Marshall JCM800 2203. No evidence of live/tour gear or other guitars/amps being used for the studio rhythm track. No evidence of additional rack gear or multi-amp setups for the riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midsrazor-sharp clarityhigh-gain saturationarticulate note separationcrushing low endminimal ambiencedry, focused tonefast attack
Difficulty
The riff requires fast, accurate alternate picking and tight palm muting at a high tempo, demanding both technical precision and stamina typical of advanced thrash rhythm guitar.
Sources
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Create Free AccountGuitarmetal1980s
Original Gear
Guitar1988 Ibanez 540S
AmpMarshall JCM800 2203
PickupsIbanez stock humbuckers (likely V1/V2, high-output, passive)
Amp Settings
gain7.5
bass5.5
mid4
treble7
reverb0
presence6
Effects & Signal Chain
noise_gateUnknown Noise Gate (model unknown)
Notes
Studio recording, 1988-1989. Rick Hunolt played the main riff on the album using his 1988 Ibanez 540S through a Marshall JCM800 2203. No evidence of live/tour gear or other guitars/amps being used for the studio rhythm track. No evidence of additional rack gear or multi-amp setups for the riff section.
Tone Character(10)
tight and percussiveaggressive palm mutingscooped midsrazor-sharp clarityhigh-gain saturationarticulate note separationcrushing low endminimal ambiencedry, focused tonefast attack
Difficulty
The riff requires fast, accurate alternate picking and tight palm muting at a high tempo, demanding both technical precision and stamina typical of advanced thrash rhythm guitar.
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