Solo Tone
Thunder Kiss '65
White Zombie
Guitarmetal1990s
Original Gear
GuitarGibson SG Standard (early 1970s, likely 1972-1974, used by Jay Noel Yuenger on La Sexorcisto sessions)
AmpMarshall JCM800 2203 (100-watt head, studio recording, 1992 era)
PickupsStock Gibson humbuckers (likely T-Top humbuckers, passive, vintage output)
Amp Settings
gain8
bass6
mid5
treble7
reverb0
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording for 'La Sexorcisto: Devil Music Vol. 1' (1992). Gear confirmed for album era via Equipboard and period interviews. No evidence of alternate guitars or amps for the solo section. No evidence of live/touring substitutions for the studio recording.
Tone Character(10)
tight and percussivesaturated high-gainaggressive pick attackcrisp upper midsarticulate note separationdry, in-your-face presenceclassic Marshall crunchpunchy low endslight sizzle on top endminimal ambience
Difficulty
The solo requires tight, fast alternate picking and precise palm muting to maintain clarity at high gain, along with aggressive attack and rhythmic accuracy. While not extremely technical, the tempo and articulation demand solid intermediate skills.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson SG Standard (early 1970s, likely 1972-1974, used by Jay Noel Yuenger on La Sexorcisto sessions)
AmpMarshall JCM800 2203 (100-watt head, studio recording, 1992 era)
PickupsStock Gibson humbuckers (likely T-Top humbuckers, passive, vintage output)
Amp Settings
gain8
bass6
mid5
treble7
reverb0
presence6.5
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording for 'La Sexorcisto: Devil Music Vol. 1' (1992). Gear confirmed for album era via Equipboard and period interviews. No evidence of alternate guitars or amps for the solo section. No evidence of live/touring substitutions for the studio recording.
Tone Character(10)
tight and percussivesaturated high-gainaggressive pick attackcrisp upper midsarticulate note separationdry, in-your-face presenceclassic Marshall crunchpunchy low endslight sizzle on top endminimal ambience
Difficulty
The solo requires tight, fast alternate picking and precise palm muting to maintain clarity at high gain, along with aggressive attack and rhythmic accuracy. While not extremely technical, the tempo and articulation demand solid intermediate skills.
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