Riff Tone
Tras las Rejas
Saratoga
Guitarmetal1990s
Original Gear
GuitarUnknown (likely superstrat-style, typical for Saratoga in late 1990s/early 2000s, possibly Ibanez or Jackson)
AmpUnknown (likely Marshall JCM800/900 or similar high-gain head, common for Spanish metal in this era)
PickupsHumbucker (likely high-output, model unknown)
Amp Settings
gain7.5
bass5.5
mid5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No direct source confirms the exact guitar or amp for 'Tras las Rejas' studio recording. Estimation based on genre, era, and band’s typical gear. Studio recording, album released 1999.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationarticulate attackclear note separationfocused low endslightly scooped midscrisp treble biteminimal ambiencemodern metal rhythm sound
Difficulty
The riff requires fast, accurate alternate picking and tight palm muting at a high tempo, demanding good synchronization and control over high-gain tone.
Sources
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarUnknown (likely superstrat-style, typical for Saratoga in late 1990s/early 2000s, possibly Ibanez or Jackson)
AmpUnknown (likely Marshall JCM800/900 or similar high-gain head, common for Spanish metal in this era)
PickupsHumbucker (likely high-output, model unknown)
Amp Settings
gain7.5
bass5.5
mid5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
No direct source confirms the exact guitar or amp for 'Tras las Rejas' studio recording. Estimation based on genre, era, and band’s typical gear. Studio recording, album released 1999.
Tone Character(10)
tight and percussiveaggressive palm mutinghigh-gain saturationarticulate attackclear note separationfocused low endslightly scooped midscrisp treble biteminimal ambiencemodern metal rhythm sound
Difficulty
The riff requires fast, accurate alternate picking and tight palm muting at a high tempo, demanding good synchronization and control over high-gain tone.