Riff Tone
Undecided (Remastered)
Silverchair
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely 1992-1994, as used by Daniel Johns on Frogstomp)
AmpMarshall JCM 900
PickupsGibson humbuckers (stock, likely 490R/498T set)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1995 for Frogstomp (Remastered). Gear confirmed for album era, not live. No evidence of alternate guitars or amps for this riff section. No evidence of pedal use in studio for this song's riff section; distortion is amp-based.
Tone Character(10)
tight and saturatedchunky and percussiveaggressive attackfull-bodied low endpronounced midrangeslightly scooped but not thinclear note separationraw and directminimal ambienceno modulation or time-based effects
Difficulty
The riff requires solid palm muting and tight picking for clarity and punch, but uses straightforward power chords and rhythm, making it accessible to intermediate players.
Sources
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (early 90s, likely 1992-1994, as used by Daniel Johns on Frogstomp)
AmpMarshall JCM 900
PickupsGibson humbuckers (stock, likely 490R/498T set)
Amp Settings
gain7.5
bass6
mid6.5
treble7
reverb1.5
presence6
Effects & Signal Chain
No effects used for this tone
Notes
Studio recording, 1994-1995 for Frogstomp (Remastered). Gear confirmed for album era, not live. No evidence of alternate guitars or amps for this riff section. No evidence of pedal use in studio for this song's riff section; distortion is amp-based.
Tone Character(10)
tight and saturatedchunky and percussiveaggressive attackfull-bodied low endpronounced midrangeslightly scooped but not thinclear note separationraw and directminimal ambienceno modulation or time-based effects
Difficulty
The riff requires solid palm muting and tight picking for clarity and punch, but uses straightforward power chords and rhythm, making it accessible to intermediate players.
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