Riff Tone

Under the Graveyard

Ozzy Osbourne

Guitarrock2010s+

Original Gear

Guitar1959 Gibson Les Paul Junior

AmpOrange OR50 head

PickupsGibson P-90 single coil

Amp Settings

gain8

bass6

mid6

treble7

reverb1.5

presence6

Effects & Signal Chain

fuzzUnivox Univox Super-Fuzz

Notes

Studio recording, 2019. Andrew Watt used the '59 Les Paul Junior for the riff section of 'Under the Graveyard' and ran it into an Orange OR50 for the main fuzzed-out rhythm tone. A 1960s Univox Super-Fuzz pedal was used as the primary gain/fuzz source, direct into the board for the album. No evidence of live-specific settings; all info pertains to the studio recording.

Tone Character(10)

thick and saturatedmid-forward punchaggressive and rawcompressed and heavyfuzz-ladentight low endpronounced upper midsslightly scooped highsmodern hard rock edgeP-90 clarity with fuzz

Difficulty

The riff is moderately challenging due to its syncopated rhythm and the need to control dynamics and clarity with a high-gain fuzz tone, but it does not require advanced techniques.

Sources

Ozzy Osbourne producer Andrew Watt shares his awe-inspiring guitar gear collection | Guitar World

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