Solo Tone
Waiting Room
Overgrown
Guitarmetal2010s+
Original Gear
GuitarUnknown electric guitar (exact model not found)
AmpUnknown (no amp model found in sources)
PickupsUnknown (likely humbuckers or modern single-coils, model not found)
Amp Settings
gain7
bass6
mid5.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
Notes
No direct information on exact guitar, pickups, or amp model for the solo section of 'Waiting Room' by Overgrown. No studio or live rig details found. Recording year is 2010s+ (post-2018). All gear details are estimated based on genre, era, and typical nu-metal/modern alt-rock production.
Tone Character(10)
saturated and modernsinging sustaintight and focusedambient and spatialslightly scooped midsclear articulationsmooth lead attacklayered with effectsnot harsh or brittlepresent but not overpowering treble
Difficulty
The solo requires intermediate technique with expressive phrasing and control over effects, but does not demand advanced shredding or complex timing.
Sources
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarUnknown electric guitar (exact model not found)
AmpUnknown (no amp model found in sources)
PickupsUnknown (likely humbuckers or modern single-coils, model not found)
Amp Settings
gain7
bass6
mid5.5
treble7
reverb3.5
presence6
Effects & Signal Chain
delayUnknown Delay pedal (model unknown)
reverbUnknown Reverb pedal (model unknown)
Sources
Notes
No direct information on exact guitar, pickups, or amp model for the solo section of 'Waiting Room' by Overgrown. No studio or live rig details found. Recording year is 2010s+ (post-2018). All gear details are estimated based on genre, era, and typical nu-metal/modern alt-rock production.
Tone Character(10)
saturated and modernsinging sustaintight and focusedambient and spatialslightly scooped midsclear articulationsmooth lead attacklayered with effectsnot harsh or brittlepresent but not overpowering treble
Difficulty
The solo requires intermediate technique with expressive phrasing and control over effects, but does not demand advanced shredding or complex timing.
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